
Originally Posted by
Cryogenic
This is what I wrote about the matter on FECC (For Elvis CD Collectors) :
Now, in all of that, and all my subsequent responses on FECC, it's not that I dislike Tom Jones' music, per se (though I don't think much about the man -- for all above and other reasons).
It is rather churlish to deride a random snatch of lyrics from a single song. One of Tom Jones' early singles, "Delilah", has some very pointed lyrics. Consider: "She stood there laughing / I felt the knife in my hand and she laughed no more" So dark! The song is about a tormented man who murders his lover. And it was a very surprising hit (in some ways) for the mid-60's. That's lyrics.
Jones also pioneered a seminal kind of rock-country-gospel-pop hybrid, best heard in his smash "Green, Green Grass Of Home", which Elvis became obsessed with and covered himself. For a later example of magic, Jones injected serious new energy into Prince's "Kiss" when he covered it in the 1980's. I also like his duet with The Cardigans on "Burning Down The House". And "Help Yourself", from back in the day, is one of my favourite pop records. That's sound.
Then there is Jones' muscular delivery, which really has no equal. Tom Jones does have a greater range than Elvis, although the difference is small. The lowest and highest notes Elvis was able to hit with chest voice were Low E and High C respectively, while Jones has hit Low D and High D in his time. (Not including fasletto for either man, of course). But that's pretty silly, to me. I have seen a bunch of videos where Jones actually shies away from notes that Elvis routinely hit (as in a performance of "An American Trilogy", where Jones stays away from the High A ending, finishing a couple of notes lower, if memory serves). That's kinda funny, since it was one of Elvis' signature stage tunes, and live singing (in Jones' own words) is the real test, yet it's actually Elvis that comes out on top. But whatever. Jones style of delivery, his assured power, has no equal. He belts even tamer notes out with astonishing energy. And his sound is recognisable in seconds. That's voice.
Still, for all his talent, Jones is not one of the greats -- and, deep down, I'm sure he knows it. His jealousy issues with Elvis are very sad. Jones is clearly not a very deep man, either. He's never witty in interviews, his vocabulary seems extremely limited (count the number of times he uses the word "great" in place of ANY OTHER adjective), he can neither dress TRULY flashy (though he has a style) nor give of himself in ways Elvis could and did, and he can't, to the best of my knowledge, play any instruments, make lyric changes or breathe stylistic changes into the music as Elvis frequently could and did. Nor has Tom Jones changed popular culture and the political landscape as we know it. Nor is he a tenth as good looking and mysterious as Elvis was. Nor -- last, but not least -- does he have Elvis' unreal, unearthly voice, capable of multitudinous moods, an exultant litheness, a solemn heaviness and a hundred things in between; authentic, unvarnished intimacy; a deep sense of longing; a beauty and subtlety beyond words ... and an all-encompassing unknowable quality that keeps us wanting more.
When Jones compares himself to Elvis, or rather, Elvis to Tom Jones, it's like a street artist comparing themselves to Picasso. Let's squirm at the little man's idiocy and move on.