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Thread: Johnny Tillotson Interview

  1. #1
    Loving elvis
    Join Date
    Jul 2007

    Johnny Tillotson Interview

    Q : Tell us a little bit about your career, how you got started.
    A : I'm originally from Jacksonville, Florida. And there was a schoolteacher that lived in Jacksonville, Florida, that wrote songs. And her name was Mae Axton. And Mae Axton would later write, along with my steel guitar player Tommy Durden, a song called "Heartbreak Hotel." And I had a local television show, and I'd heard so much about how nice Mae was as far as lending a helping hand to singers that had dreams. And Mae said, "You know what would be great? This television show is great that you're doing, but," she said, "would you like to be the opening act on every big show that we bring to Jacksonville? That would be every big country show, every big rock-n-roll show. There won't be any money in it, but I think you could learn a lot." So I would open up the shows, and, sometimes there would be shows starring Faron Young or the Wilburn Brothers, and, some of the great rock-n-roll shows that would come to Jacksonville.

    And Mae came to me one day and she said, "Now Johnny, there's a big show coming to town, and unfortunately we won't be able to use you as the opening act." I said, "Well why is that, Mae?" And she said, "Well, there's this new fellow, he's from Memphis, his name's Elvis Presley." And I said, "What kind of a name is that?" I'd never heard of a name quite like it. "And so he's gonna be the opening act. And this tour, by the way, that's gonna come to Jacksonville is gonna start in Texas. So he's gonna open up, he's gonna do like, three or four songs, and so we won't need you. And... you gotta understand we're paying Elvis and the band. So we have to use him." I said, "Well, if you're paying him, sure." And they were paying him 50 dollars. And that had to cover everything: the hamburgers, the Krystal hamburgers, the gas for the pink Cadillac and everything. But I did get to meet him. And from that very moment of meeting him, our friendship began. So I started, really wanting to do very much like Elvis. We both had country music backgrounds, and we both loved gospel music, and we were accepted by rock-n-roll and country audience as well. So I started there and haven't stopped.

    Q : Tell us about your first meeting with Elvis. What was it like?

    A : The meeting that I like the most, I had a radio show, a high school radio show. In those days you would play songs for teenagers, okay. And then the other disc jockeys, they would play more adult songs, but these were our songs. And, um, so let's see, "That's Alright Mama" had come out and "Blue Moon of Kentucky" and "I Don't Care If the Sun Don't Shine." And Elvis was going to be in Jacksonville, so I, without thinking, told my audience that I'd get an interview with Elvis. By that time, "Baby Let's Play House" had come out. And Elvis wasn't quite that accessible, because the press was all around him. So I was in a jam. And he knew me and I knew him, and I said "How can I get his attention?" 'Cause I'd promised my audience an interview on tape. In those days you had a little tape machine. And so while he was doing his interview with the press, the journalists, I caught his eye and I went "Whoop baby baby ba-ba-ba-babee, baby baby baby boom-boom-boom-boom." And he said "Ho-ho-ho-hold it. Johnny. Whaddaya need?" I said "I need just a short interview," he said "Lemme get finished here and we'll do it." And, he was always that way to me. Courteous. Full of fun. That's one of the early meetings.

    I also used to like with Elvis, like at the Florida Theater we took a great picture together. And that picture we put in my Johnny's Journal, which was a fan club magazine, and we used to do it on our dining room table. And I was very proud of that, because if you can picture the time period, Elvis had his cool comb right in his pocket, his little thin belt, and his pink shirt. And, kinda that pouty look, ya know. And then after the show at the Florida Theater, there are pictures of me behind Elvis as he's playing gospel songs. And my whole theory was, the closer I got to Elvis, the more joy I felt and the more inspired I was. And that's the way it was all through my life. He recorded one of my songs, "It Keeps Right On a Hurtin'," and I'll never forget that.

    Q : When you recorded "It Keeps Right On A-Hurtin'," did you hear any feedback from Elvis about the song?

    A : Well, I wrote "It Keeps Right On A-Hurtin'" and it was a very personal song and I really wasn't gonna record it. Maybe I was just a little too close to the song. But Archie Blyer, my producer and the Everly Brothers' producer, he heard me play the song and he said, "Now that's a real song." And so we cut in Nashville just like Elvis, and also, we used a lotta the same players. And it was always exciting cutting with the Jordanaires and Floyd Cramer and all those particular players, because they were so enthusiastic and so supportive. And the way the song got to Elvis, Elvis was in Germany and he'd heard them play my version on the radio when he was shining up those tanks and all that stuff. And I met with George Klein, who's always been a buddy of mine, and I sent an album, over to George to send to Elvis. It had a song on there called "Dreamy Eyes." And as you know, Elvis liked the Ink Spots, especially Bill Kenny. For example, when Elvis sang "Are You Lonesome Tonight," he would say, "I wonder if you're lonesome--" Well that's kinda from "If I Didn't Care." Ya know? Everybody has heroes; Elvis was always my hero. And so, I had sent him "Dreamy Eyes" because Priscilla had the prettiest eyes. I just thought, fall-down beautiful eyes. And he did too; he liked the song. And I heard him singing it kinda like "Dreamy Eyes" which would work.

    But he had, he'd always heard "It Keeps Right On A-Hurtin'." So when he went to Memphis to do "From Elvis in Memphis," he just decided he wanted to do it. And 112 people recorded the song, and I love every one of them, but when I got the news that Elvis had recorded "It Keeps Right On A-Hurtin'," I was ecstatic. And one of the nice things, when I'd be appearing in Las Vegas, for example, Joe Esposito, his right hand man, and sometime the Colonel and all the guys, they would extend every courtesy to me and they would always tell Elvis "Johnny's in the audience." And Elvis would be nice enough to introduce me sometime, he'd go "Well it-- James. Well it keep right on hurtin', as you gone..." And, so, that meant a lot.

    Another thing about Elvis Presley is. I never saw anyone that had such joy and passion for music, and had such a good time, and didn't take himself terribly serious on stage. I think that's why so many of the men could relate to him as well, you know, as well as all the ladies. But he was also always so courteous. I would take friends up and he would all say, and I don't think this every goes outta style, "Yes ma'am, no ma'am." He gave my daughter, Kelly, gave her one of the teddy bears. And, one of my favorite treasures from Elvis is a signed picture that says "To Johnny with love and respect, Elvis Presley." And, so it was just a great thing. They have a thing now called "Elvis, The Concert," which I really enjoy. And I can't say enough about that, because if you didn't have the opportunity to see Elvis live, and there are a lotta people that didn't on stage, with that tremendous orchestra and that rhythm section and the great singers, if you go see "The Concert," you feel it. You feel that same feeling because the music isn't all sanitized and totally just perfect beyond spontaneity. It's just great. So I always talk about that as well, 'cause his live performances were, there's no words to describe them. And then his record performances were always so honest. And he used his voice like an instrument, just like a musical instrument.

    Q : So with Elvis, did you talk mainly about music when you would get together? Do you remember any funny things that Elvis did?

    A : Well, Elvis always took time in the dressing room, I usually let him just talk about whatever he wanted to talk about. Sometime he would talk about karate. Sometime he'd talk about his stage clothes. One time we were sitting next to each other, I think in the dressing room, and he had a great sense of humor and I accidently kept hitting his leg. And he thought that was funny. I was embarrassed. But he was just the nicest person. He's everything you'd want your hero to be.

    Q : Do you have any memories of the Singer '68 special with Elvis?

    A : Oh, the Singer special? That Steve Binder did? I sure do, because I was appearing at the Riviera Hotel. And I think they were shooting a movie "Bob, Carol, Ted and Alice" And, and my suite was gonna appear, and they were shooting an outdoor scene right down in, I could see it. And, there was a moment in time that everything stopped. And what it was Natalie Wood knew this special was coming on. She really wanted to see the special, so the movie stopped and everybody came into the Riviera, turned on the TV, and we all sat there and watched Elvis on the Singer Special, which was a very exciting special.

    Q : What other memories do you have of Elvis in Vegas?

    A : Elvis in Las Vegas, I had a chance to see the first performance of Elvis in Las Vegas. That's when he had the karate outfits. And it was just such an exciting, his shows were always exciting. And they were spontaneous, and they were in the moment. And he sang great. And he had so much fun. And I never missed an Elvis Presley show, ever. Because they were never the same. He just had a great sense of timing and how to make people happy and how to make people sad. And I think he's the consummate showman. He was a great recording artist, great song picker, you know, 'cause it's in the song. And live he was on stage he was unique, and even when he walked into a room he was unique. He's magic.

    Q : When was the first time you saw Elvis on television?

    A : The first time I saw him on television was on the Dorsey Brothers show. And I wanted the sound to be better, because I was used to the Scotty and Bill sound. And I'm trying to think. Didn't they use an orchestra with that as well? Yeah. So, now you can use an orchestra with that kind of a sound, but you can't have them playing too much stuff. You know it's just gotta be just the right stuff, it's gotta, it's like on records, if you're gonna use horns as you play the string parts or, you know, I shouldn't get too out of what the original sound was. But I loved the original Sun sound, and then I loved the Nashville sound. I'll never forget my bass player, Ken Hodges and we had seen Elvis and we were curious how Scotty and Bill, well actually how Bill Black got that hums tune, because most people played bass hums tune. And Elvis and Scotty and Bill had already put the bass up on the pink Cadillac and strapped it down, and we, Ken and I, we went over to talk to them and we asked 'em how it was done and this is how people did things in those days. They took the bass down, unzipped it, and Bill said, "Well, you slap it with the back of your hand." He said, "Now real purists will probably say that that's not the way to play bass, but that's how we get Elvis's sound." And I liked the excitement of Elvis when he'd break strings, and, he had a good time. And of course Scotty Moore. And then after that, I've been a James Burton fan forever. And, the wonderful rhythm section they used in Las Vegas was just a terrific one as well.

    Q : What were your favorite Elvis films?

    A : Now see if I say I liked them all, nobody's gonna believe that. But I liked a lotta the fun musical ones. I liked "Blue Hawaii." I liked "Viva Las Vegas," "G.I. Blues," I liked "King Creole." I liked his very first movie, which was critical, "Love Me Tender," because up until that point people weren't convinced that, it's weird, they didn't think he could sing ballads, remember? I mean they knew he could do all the other stuff. "Love Me Tender." But he could. Always sang real.

    Q : The last meeting that you had with Elvis, is there anything that comes to mind that was really special about that?

    A : The last meeting I had with Elvis was in the suite upstairs. And he invited me to come up after the show and, hang out, and Get Low was there. And I loved Get Low. Get Low was Elvis's chow dog. And I don't know who created the most attention, Elvis or Get Low, but when you put 'em together it was really something. But Get Low was great and Elvis and I had a chance to talk about music and just it was very relaxed. It was always fun.

    Q : Where were you when you found out Elvis had passed away?

    A : I was in London, England. And I had walked back into my hotel room and turned the BBC on. And at the same time, a bulletin came across on TV. And I wasn't sure... it was just, it wasn't confirmed, exactly. But when they played Old Shep on the radio, that kinda did it for me and I said, "Oh, this, this, this is... this could be... the real deal." Very sad.

    Q : What do you think there is about Elvis that made him so unique?

    A : The fact that he was unique. He was just himself. And God gave him a very rare gift. And, not only was he talented, he was great looking. Y'know. You never saw anyone that looked like Elvis. I liked a lot of his movies, by the way. Because they make you feel good. And sometime today some of the movies don't always make you feel good.

    Q : What is it about Elvis that you'd like to tell his fans? Do you have a message?

    A : I never know exactly what I'm gonna say about him. But his fans, and I am one of his fans, very loyal. And his music never ever is outdated. Because he was an innovator on so many levels. Whether it be "Crying in the Chapel," a gospel song, some of the big gospel songs that he used to do on stage, "How Great Thou Art," or "That's Alright Mama," or the thing about Elvis Presley that communicates with his fans is his longevity and the way he impacted all of our lives on every level. I can remember at a New Year's Eve party, there was a girl I wanted to dance with and it'd have to be a slow dance. Matter of fact, I sent away to Arthur Murray to get these little steps, you'd put 'em on the floor. And they didn't arrive until the day, before the dance. So I couldn't do any fast dancing or anything fancy. But the slow ones I kinda got, so I loved dancing to "I Was the One." And so I think he impacted our lives on all kinds of levels. So that's why the fans always love him. And that's why we all love Elvis.

    Q : I know Elvis's fans love you too, and thanks a lot for being here and sharing your memories about Elvis.

    A : It's my pleasure.
    Attached Thumbnails Attached Thumbnails JohnnyTillotson.jpg  

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