I don't think it's productive to sit around all the time and think about what could have been, but this period, as much as any other, deserves some consideration along those lines.
I wonder what it was that lit the fire under Elvis at that time to make him want to rehearse a lot more, and try to really revamp the show. Lots of songs were worked out, and a recording exists from one day of those rehearsals (possibly more exist), including the following songs:
If You Love Me (Let Me Know)
Promised Land
Down In The Alley
It's Midnight
Your Love's Been A Long Time Coming
Goodtime Charlie's Got The Blues
Softly, As I Leave You
I'm Leavin'
The First Time Ever I Saw Your Face
Proud Mary
If You Talk In Your Sleep
The Twelfth Of Never
Faded Love
Just Pretend
Elvis sounded spirited, in charge, in great voice, and liked he really cared and had something to prove. He seemed passionate about his music.
The famous opening show, August 19, featured the following lineup:
Big Boss Man
Proud Mary
Down In The Alley
Goodtime Charlie's Got The Blues
Never Been To Spain
It's Midnight
If You Talk In Your Sleep
I'm Leavin'
Let Me Be There
Softly, As I Leave You
If You Love Me (Let Me Know)
Love Me Tender
Polk Salad Annie
Promised Land
My Baby Left Me
Bridge Over Troubled Water
Fever
Hound Dog
Can't Help Falling In Love
As most of you know, this radically different show was apparently not too well received (though some have disagreed on this point), and so the next night it was back to the same ol', same ol'. Well, that's not totally fair, since many of the new songs did remain, more than at any other time I can think of. But the familiar beginning of 2001 - See See Rider - I Got A Woman/Amen - Love Me, and lots of the "Teddy Bear" type of songs had been dropped in favor of fresher and more contemporary material on the opening night.
What a shame that Elvis did not stick with his instincts and keep on with what satisfied him the most. I'm not saying he should have completely disregarded the audience's impression of the new program, but considered what he could do to make them a little happier and still keep most of the changes which he had implemented, and end up with a killer show that was the best of both worlds.
I'd love to hear from the people who were there, if they knew--if Elvis commented to others, what caused him to want to make the changes in the first place, and then what he had to say after that first show. I've never heard of any dialogue addressing either issue.
The engagement turned into one in which Elvis expressed lots of anger and frustration on stage. (And on the tour that followed, things only got worse. Thankfully a big rebound was around the corner in the spring of '75.) While the impetus for most of this seems to stem from personal issues, perhaps one of them which was not voiced was a feeling of being hampered artistically and locked into performing a certain type of show which to some extent did nothing for him personally.
Never again was a change on this large a scale attempted by Elvis, and though there were many great shows which followed and the audiences left happy, the man behind the center stage mic was the one who suffered.
