mistymorning
01-19-2012, 12:08 AM
When 12-year-old Schilling was invited to join the older kids in their football game, he was surprised to learn that the guy calling the plays was the singer of "That's All Right (Mama)," a song currently tearing up the airwaves. Schilling eventually joined Presley's entourage, the Memphis Mafia, a close-knit group of bodyguards, road managers, and confidants. He had the difficult task of trying to be a true friend without becoming a yes-man or a pain in the ***. In 1977 he was one of Presley's pallbearers and later joined Elvis Presley Enterprises as creative affairs director, whose job was to protect Presley's image and legacy. Schilling's account of his years with Presley joins the ever-growing body of work written by associates (Elvis: What Happened, 1977; Good Rockin' Tonight, 1994; Elvis' Man Friday, 1994), sharing anecdotes, gossip, and insights into what made Elvis Elvis. Schilling portrays an incredibly successful, talented, charismatic, spiritual, and moody force prone to acts of extreme generosity (he paid for Schilling's West Hollywood Hills home) who was ultimately a tragic figure whose short life was beset by constant creative disappointment
This is not only one of the best biographies about Elvis Presley, it's darn fun to read too. Just as Elvis's life really was, in this book you never know what will happen next. A meeting with President Nixon? A sudden skiing trip to Vail, Colorado? Helping out Elvis's handicapped friend Gary Pepper? Ann-Margret suddenly appearing in the parlor? There are lots of great stories here, several of which I had never heard, or contain details I had not heard, though I know quite a lot about the King. Not only that, Schilling provides a good look at Elvis's personality, and it's all told in the level-headed and fair manner that Schilling is known for. I had always admired Jerry Schilling from seeing him interviewed for documentaries about the King, and I admire him even more after reading this. Over and over he writes about the deep friendship between himself and Elvis, and there certainly are few people who were present in the King's life more than Schilling was. The main qualities about Elvis that Schilling emphasizes are his talent, his generosity, and his endless quest for meaning in life.
Some of Elvis's "friends" have written and spoken about him critically to an extent that make me wonder if they were mainly trying to sell their books. In contrast, although Schilling also recounts Elvis's moodiness and bad temper, he puts that in perspective by adding that "what's remarkable to me is not the handful of times that he did let a crazy temper get the better of him - what's remarkable is that, with all that went on in his life, most of the time he chose to be a nice guy." This book is full of apt observations like that, and gives great character portraits of many people. Elvis's manager, "Colonel" Tom Parker, gets his share of vivid vignettes, and while Schilling acknowledges that Parker was often very difficult and thwarted Elvis's creativity, he again attempts a balanced view by noting that "I'd often wondered if anyone less than the Colonel could have handled this powerful, unique talent."
Schilling is also a life-long admirer of Elvis's music, and discusses it to a moderate extent, but ME AND A GUY NAMED ELVIS is primarily a biography of Elvis's personal life, and also is autobiographical about Jerry Schilling himself, although most of the book pertains to his connection to Elvis.
He was in the room when Barbara Streisand asked Elvis to be in "Star is Born". He was in the oval office when Elvis visited president Nixon. He broke the news to Elvis about the upcoming publication of Red West's book. He was on the set for many of the movies and for the Vegas shows. He was on security when Elvis got his death threat in Vegas. He was in the room when Elvis ordered a hit be put on Mike Stone. He was in the editing room for "Stay Away, Joe". He was on the editing staff for "Elvis on Tour". He cut the "Memories" montage in it. And on and on. So many of my questions about Elvis' choices have been answered in this book, such as why he continued with the movies when they became repeditive. And why he never got to Europe or Japan.
Also it's the story about Schilling himself. His point of view. Things that happened to him. How he needed to break away from Elvis at one point and try a career in film editing. It's about Schilling's relationships with women that sometimes put his friendship with Elvis at risk. His marraige to a girl he met while in Hawaii, his romance with one of the "Sweet Inspirations". How Elvis bought him his dream house. How he immediatly got the cash out of the bank to buy the house before Vernon or the Col. could stop it.
This is not only one of the best biographies about Elvis Presley, it's darn fun to read too. Just as Elvis's life really was, in this book you never know what will happen next. A meeting with President Nixon? A sudden skiing trip to Vail, Colorado? Helping out Elvis's handicapped friend Gary Pepper? Ann-Margret suddenly appearing in the parlor? There are lots of great stories here, several of which I had never heard, or contain details I had not heard, though I know quite a lot about the King. Not only that, Schilling provides a good look at Elvis's personality, and it's all told in the level-headed and fair manner that Schilling is known for. I had always admired Jerry Schilling from seeing him interviewed for documentaries about the King, and I admire him even more after reading this. Over and over he writes about the deep friendship between himself and Elvis, and there certainly are few people who were present in the King's life more than Schilling was. The main qualities about Elvis that Schilling emphasizes are his talent, his generosity, and his endless quest for meaning in life.
Some of Elvis's "friends" have written and spoken about him critically to an extent that make me wonder if they were mainly trying to sell their books. In contrast, although Schilling also recounts Elvis's moodiness and bad temper, he puts that in perspective by adding that "what's remarkable to me is not the handful of times that he did let a crazy temper get the better of him - what's remarkable is that, with all that went on in his life, most of the time he chose to be a nice guy." This book is full of apt observations like that, and gives great character portraits of many people. Elvis's manager, "Colonel" Tom Parker, gets his share of vivid vignettes, and while Schilling acknowledges that Parker was often very difficult and thwarted Elvis's creativity, he again attempts a balanced view by noting that "I'd often wondered if anyone less than the Colonel could have handled this powerful, unique talent."
Schilling is also a life-long admirer of Elvis's music, and discusses it to a moderate extent, but ME AND A GUY NAMED ELVIS is primarily a biography of Elvis's personal life, and also is autobiographical about Jerry Schilling himself, although most of the book pertains to his connection to Elvis.
He was in the room when Barbara Streisand asked Elvis to be in "Star is Born". He was in the oval office when Elvis visited president Nixon. He broke the news to Elvis about the upcoming publication of Red West's book. He was on the set for many of the movies and for the Vegas shows. He was on security when Elvis got his death threat in Vegas. He was in the room when Elvis ordered a hit be put on Mike Stone. He was in the editing room for "Stay Away, Joe". He was on the editing staff for "Elvis on Tour". He cut the "Memories" montage in it. And on and on. So many of my questions about Elvis' choices have been answered in this book, such as why he continued with the movies when they became repeditive. And why he never got to Europe or Japan.
Also it's the story about Schilling himself. His point of view. Things that happened to him. How he needed to break away from Elvis at one point and try a career in film editing. It's about Schilling's relationships with women that sometimes put his friendship with Elvis at risk. His marraige to a girl he met while in Hawaii, his romance with one of the "Sweet Inspirations". How Elvis bought him his dream house. How he immediatly got the cash out of the bank to buy the house before Vernon or the Col. could stop it.