presley31
10-02-2008, 08:57 AM
1. HOUND DOG
The intro explodes into your ears, and into the public consciousness, as only A Hard Day's Night and Anarchy In The UK have since. So intense, two minutes of sustained viciousness and sheer malicious glee.
2. SUSPICIOUS MINDS
As a mature and supremely confident Elvis harmonises with himself, you can feel the shackles of Hollywood falling away. The shock of the middle eight ("let our love survive") will make you catch your breath
3. MYSTERY TRAIN
Singing high and free, even a runaway train can't take his gal away. Scotty Moore and Bill Black never played better, but Elvis's whoop of delight at the end takes the cake.
4. HEARTBREAK HOTEL
A freaky but inspired choice of first 45 for a major label. To enhance the atmosphere of seedy desolation, Elvis chose to record the vocal at the end of the studio corridor.
5. I JUST CAN'T HELP BELIEVING
Encapsulates the live, second-coming - his band never sounded better. The back-and-forths between Elvis and backing singers the Sweet Inspirations ("one more time... yeah, one more!") are the highlight.
6. SUSPICION
A teenage pre-cursor to Suspicious Minds, and almost as good. Shadowed by autoharp and a sinister bassline, the victim's pained politeness explodes into paranoia at the end of the chorus: "Why torture me?"
7. GOOD ROCKING TONIGHT
No less than an invitation to come join the teenage revolution. "We're gonna rock all our blues away" - the original slang usage of 'rock 'n' roll' was never more explicit.
8. DOING THE BEST I CAN
From the GI Blues soundtrack, a Pomus and Shuman ballad of abject surrender. The vocal gets under your skin, keening and helpless - no wonder girls melted.
9. ONE NIGHT
This snarling menace to American moral fibre had to be toned down from "one night of sin" to "one night with you," though the performance is so loaded with sexual promise they needn't have bothered.
10. TOMORROW IS A LONG TIME
Cut in 1966 between some of his worst movie scores, the delicate, haunted take on Bob Dylan's song hints at a parallel Elvis universe. Dylan has since hailed it as his favourite cover version.
11. CAN'T HELP FALLING IN LOVE
Irresistibly tender. The world's favourite wedding song.
12. LITTLE SISTER
Nasty and playful rocker with a burning guitar line.
13. DON'T BE CRUEL
The minimal, hand-clapping groove sent this to number one in '56 for eleven weeks.
14. IT'S NOW OR NEVER
Inspired by Mario Lanza, adapted for a Cornetto ad, his biggest international hit.
15. POLK SALAD ANNIE
Sweaty, southern-fried highlight of his Vegas era.
16. ALL SHOOK UP
Introduced the classic "uh-huh-huh" to the Presley repertoire.
17. PLEASE DON'T STOP LOVING ME
Intense southern soul ballad buried on the b-side of Frankie And Johnny.
18. BLUE MOON
Eerie clip-clopping reading, with Elvis already sounding like his own ghost, haunting America in 1956.
19. CRAWFISH
The deepest, most atmospheric song about fishing you'll ever hear.
20. A MESS OF BLUES
A whisky-soaked Elvis beats himself up: "Whoops, there goes a teardrop..."
21. THAT’S ALL RIGHT
A little hesitant, but this is where it all began.
22. LONG BLACK LIMOUSINE
The tale of a poor southern singer gone too soon is delivered with unnerving emotion.
23. GUITAR MAN
Jerry Reed’s song was autobiographical, but Presley made it his, and a springboard for artistic renewal in ’68.
24. JAILHOUSE ROCK
DJ Fontana’s granite-breaking drums deserve co-star status.
25. LOVE ME TENDER
First suggestions of his Italianite leanings, this showed America the boy wasn’t always a hoodlum.
26. THAT’S SOMEONE YOU’LL NEVER FORGET
A graveyard ballad, though death is never mentioned directly, that could have been sung with his mum in mind.
27. ANY DAY NOW
True blue-eyed soul, a beautiful song from the ’69 Memphis sessions.
28. BURNING LOVE
If he wanted to, he could still take the dancefloor in the seventies.
29. VIVA LAS VEGAS
A minor hit at the time, a standard now.
30. AN AMERICAN TRILOGY
Elvis probably never knew Micky Newbury's patriotic showstopper was ironic.
31. TRYING TO GET YOU
Both the Sun original and the bellowing ’68 comeback version are impossible to resist.
32. A FOOL SUCH AS I
Messing about with his own myth in fine style.
33. RECONSIDER BABY
The dirtiest, truest blues he ever recorded. Boots Randolph’s sax break is filthy.
34. TROUBLE
Ludicrous lyric with an insanely aggressive delivery over a drunken, Tom and Jerry-esque Dixieland backing.
35. I’M LEAVIN’
“Tried so hard, so hard...” His most intense break-up song, this should be better known.
36. ARE YOU LONESOME TONIGHT
Country ham (it was Colonel Parker’s favourite song) handled with real emotion. That voice had an incredible arsenal.
37. IN THE GHETTO
Simplistic but affecting, this 1969 number one turned his career around.
38. RETURN TO SENDER
The Presley entry point for five-year olds.
39. SHE’S NOT YOU
Elvis’s best performances of the early sixties usually involved a love triangle lyric – this slow-dance special was the strongest.
40. THE GIRL OF MY BEST FRIEND
Compelling and heart-breakingly sharp teen romance.
41. I’VE LOST YOU
Elvis, King of Pain, reflects on the imminent collapse of his marriage.
42. BABY LET’S PLAY HOUSE
Sam Phillips’ echoed production and Elvis’s hiccoughs invent rockabilly in two minutes.
43. ALWAYS ON MY MIND
Regrets, he had more than a few.
44. I NEED SOMEBODY TO LEAN ON
The perfect lounge jazz-blues for 3 am, from Viva Las Vegas.
45. HIS LATEST FLAME
Bo Diddley beat with Latin touches, The Smiths built half their catalogue around it.
46. IT HURTS ME
A soulful roar from ’64, revisited to great effect in the Comeback Special.
47. WAY DOWN
He bowed out sounding pretty darn contemporary, though JD Sumner’s low, low bass notes take the limelight.
48. LOVE ME
Written by Leiber and Stoller as a self-parody; the reading is so sincere, you'd never know.
49. TOO MUCH
Constantly on the edge of falling apart but hard as nails, the archetypal tough rocker.
50. YOU’LL NEVER WALK ALONE
No matter how many times you’ve heard this song before, the intensity and belief of Elvis’s interpretation will floor you.
source:http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article2186173.ece
The intro explodes into your ears, and into the public consciousness, as only A Hard Day's Night and Anarchy In The UK have since. So intense, two minutes of sustained viciousness and sheer malicious glee.
2. SUSPICIOUS MINDS
As a mature and supremely confident Elvis harmonises with himself, you can feel the shackles of Hollywood falling away. The shock of the middle eight ("let our love survive") will make you catch your breath
3. MYSTERY TRAIN
Singing high and free, even a runaway train can't take his gal away. Scotty Moore and Bill Black never played better, but Elvis's whoop of delight at the end takes the cake.
4. HEARTBREAK HOTEL
A freaky but inspired choice of first 45 for a major label. To enhance the atmosphere of seedy desolation, Elvis chose to record the vocal at the end of the studio corridor.
5. I JUST CAN'T HELP BELIEVING
Encapsulates the live, second-coming - his band never sounded better. The back-and-forths between Elvis and backing singers the Sweet Inspirations ("one more time... yeah, one more!") are the highlight.
6. SUSPICION
A teenage pre-cursor to Suspicious Minds, and almost as good. Shadowed by autoharp and a sinister bassline, the victim's pained politeness explodes into paranoia at the end of the chorus: "Why torture me?"
7. GOOD ROCKING TONIGHT
No less than an invitation to come join the teenage revolution. "We're gonna rock all our blues away" - the original slang usage of 'rock 'n' roll' was never more explicit.
8. DOING THE BEST I CAN
From the GI Blues soundtrack, a Pomus and Shuman ballad of abject surrender. The vocal gets under your skin, keening and helpless - no wonder girls melted.
9. ONE NIGHT
This snarling menace to American moral fibre had to be toned down from "one night of sin" to "one night with you," though the performance is so loaded with sexual promise they needn't have bothered.
10. TOMORROW IS A LONG TIME
Cut in 1966 between some of his worst movie scores, the delicate, haunted take on Bob Dylan's song hints at a parallel Elvis universe. Dylan has since hailed it as his favourite cover version.
11. CAN'T HELP FALLING IN LOVE
Irresistibly tender. The world's favourite wedding song.
12. LITTLE SISTER
Nasty and playful rocker with a burning guitar line.
13. DON'T BE CRUEL
The minimal, hand-clapping groove sent this to number one in '56 for eleven weeks.
14. IT'S NOW OR NEVER
Inspired by Mario Lanza, adapted for a Cornetto ad, his biggest international hit.
15. POLK SALAD ANNIE
Sweaty, southern-fried highlight of his Vegas era.
16. ALL SHOOK UP
Introduced the classic "uh-huh-huh" to the Presley repertoire.
17. PLEASE DON'T STOP LOVING ME
Intense southern soul ballad buried on the b-side of Frankie And Johnny.
18. BLUE MOON
Eerie clip-clopping reading, with Elvis already sounding like his own ghost, haunting America in 1956.
19. CRAWFISH
The deepest, most atmospheric song about fishing you'll ever hear.
20. A MESS OF BLUES
A whisky-soaked Elvis beats himself up: "Whoops, there goes a teardrop..."
21. THAT’S ALL RIGHT
A little hesitant, but this is where it all began.
22. LONG BLACK LIMOUSINE
The tale of a poor southern singer gone too soon is delivered with unnerving emotion.
23. GUITAR MAN
Jerry Reed’s song was autobiographical, but Presley made it his, and a springboard for artistic renewal in ’68.
24. JAILHOUSE ROCK
DJ Fontana’s granite-breaking drums deserve co-star status.
25. LOVE ME TENDER
First suggestions of his Italianite leanings, this showed America the boy wasn’t always a hoodlum.
26. THAT’S SOMEONE YOU’LL NEVER FORGET
A graveyard ballad, though death is never mentioned directly, that could have been sung with his mum in mind.
27. ANY DAY NOW
True blue-eyed soul, a beautiful song from the ’69 Memphis sessions.
28. BURNING LOVE
If he wanted to, he could still take the dancefloor in the seventies.
29. VIVA LAS VEGAS
A minor hit at the time, a standard now.
30. AN AMERICAN TRILOGY
Elvis probably never knew Micky Newbury's patriotic showstopper was ironic.
31. TRYING TO GET YOU
Both the Sun original and the bellowing ’68 comeback version are impossible to resist.
32. A FOOL SUCH AS I
Messing about with his own myth in fine style.
33. RECONSIDER BABY
The dirtiest, truest blues he ever recorded. Boots Randolph’s sax break is filthy.
34. TROUBLE
Ludicrous lyric with an insanely aggressive delivery over a drunken, Tom and Jerry-esque Dixieland backing.
35. I’M LEAVIN’
“Tried so hard, so hard...” His most intense break-up song, this should be better known.
36. ARE YOU LONESOME TONIGHT
Country ham (it was Colonel Parker’s favourite song) handled with real emotion. That voice had an incredible arsenal.
37. IN THE GHETTO
Simplistic but affecting, this 1969 number one turned his career around.
38. RETURN TO SENDER
The Presley entry point for five-year olds.
39. SHE’S NOT YOU
Elvis’s best performances of the early sixties usually involved a love triangle lyric – this slow-dance special was the strongest.
40. THE GIRL OF MY BEST FRIEND
Compelling and heart-breakingly sharp teen romance.
41. I’VE LOST YOU
Elvis, King of Pain, reflects on the imminent collapse of his marriage.
42. BABY LET’S PLAY HOUSE
Sam Phillips’ echoed production and Elvis’s hiccoughs invent rockabilly in two minutes.
43. ALWAYS ON MY MIND
Regrets, he had more than a few.
44. I NEED SOMEBODY TO LEAN ON
The perfect lounge jazz-blues for 3 am, from Viva Las Vegas.
45. HIS LATEST FLAME
Bo Diddley beat with Latin touches, The Smiths built half their catalogue around it.
46. IT HURTS ME
A soulful roar from ’64, revisited to great effect in the Comeback Special.
47. WAY DOWN
He bowed out sounding pretty darn contemporary, though JD Sumner’s low, low bass notes take the limelight.
48. LOVE ME
Written by Leiber and Stoller as a self-parody; the reading is so sincere, you'd never know.
49. TOO MUCH
Constantly on the edge of falling apart but hard as nails, the archetypal tough rocker.
50. YOU’LL NEVER WALK ALONE
No matter how many times you’ve heard this song before, the intensity and belief of Elvis’s interpretation will floor you.
source:http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article2186173.ece